Erndl displays how this mythic cycle juxtaposes the conflicting pictures of the goddess: apparently chaste and benign in the public Vaiṣṇava pilgrimage cult and bloodthirsty from the remaining-handed tantricism exemplified by her would-be rapist Bhairava-nātha. The overall performance for this raga is solemnly critical. The raga arrives across like a https://www.youtube.com/@Goldiemadanji